Chapter 162 "Silver Driver" Script

Although they are both art majors, they are different from Nortel.

Faced with such a situation, Yang Lingyue felt quite uncomfortable for a while and answered some questions cooperatively.

"I don't have time, but I will read movie reviews."

"Thank you for liking my work."

In the end, Ning Hao acted as the photographer and took a few photos with the girls' mobile phones. The girls left with satisfaction.

"Brother Hao, are you okay with not chatting? Why did you ask me to come?" Yang Lingyue said with a raised eyebrow.

"Let's go. Let's change places. Let's go to the parking lot first." Ning Hao stepped onto the back seat of the eDonkey.

The two then came to the parking lot, and Ning Hao took out a script "Silver Driver" from the bag in the trunk of the car.

"I didn't bother you a while ago. Let me help you take a look at the six lines." Ning Hao showed the script and said without any proud look.

When it comes to multi-line narratives, Guy Ritchie will be mentioned. This great master plays multi-line narratives to perfection.

Since the release of "Crazy Stone", a lot of half-hearted people have said that Ning Hao plagiarized and imitated.

Ning Hao's control of multi-linear narrative in "Crazy Racing" is no less than that of Guy Ritchie. Six lines and 12 characters are told in 2 hours, independent of each other and intersecting with each other, without any sense of confusion. There are not many directors in the world who can do it. If there is Ning Hao in China, just enjoy it secretly.

But this group of people has never considered one problem: how many directors can't even do a single-line narrative well.

Until nearly two decades later, the multi-line narrative structure was still one of the most difficult to control in movies. Why didn’t anyone else copy and imitate it?

No, someone, isn't it "The Unknown", it has the same four-line narrative, but there are almost no collisions in the whole process. Lao Ma's security line is a low-end version of "The Chaser", and the storyline of Ma Jiaqi and Glasses is singled out. It's no problem to film a love story. As for the real estate developer looking for the mistress and his son to gather a crowd for a fight, how many people still remember it?

It can be seen that the director worked very hard.

But looking at this film again, what is the reason for its success? The commercial value of Zhang Yu and Ren Suxi has soared after this film, which means that people are not blind.

Back to the book, Yang Lingyue knew the plot and lines of the film by heart, but he was very interested in the original script, so he took it and stuffed it into his storage box.

"Call me over for this matter." Yang Lingyue said.

"Is that so? It's inconvenient to mention the script when I call you." Ning Hao said.

"Sure, I'll leave if nothing happens." Yang Lingyue stepped onto the electric donkey.

"I'm a young man. I'm not a young man like this. I don't even want to treat you to a meal?" Ning Hao's head was filled with black lines.

"I'm here with my girlfriend. I'll send you my notebook later, and you and Sister Na can help me take a look." Yang Lingyue waved his hand.

After bidding farewell to Ning Hao, Yang Lingyue returned to Courtyard No. 8. Before Yu Li came back, he went straight to the study.

Yang Lingyue opened the script of "Silver Driver", which made Ning Hao the fourth director of the Billion Dollar Club. Ning Hao also thoughtfully prepared a character relationship chart.

Later generations of actors couldn't understand it. It was indeed a bit complicated, but it wasn't that difficult to understand.

Perhaps for publicity purposes, Huang Bo said in interviews on multiple occasions that his head hurt from watching it.

Well, this Yang Lingyue is not willing to speculate. After all, there are indeed big problems with the humanistic quality of many actors. This has nothing to do with their character or acting skills.

There are five screenwriters in total. That's wrong, there should be six people. However, apart from Ning Hao and his wife and Yue Xiaojun, Yang Lingyue doesn't know who else is there.

While reading, delete directly in the notebook.

For example, the scene where the Black Boss appears on the boat for the first time is the eighth act of the script.

8. Deck of Japanese, foreign and fishing boats

The frozen fish fell on the deck. Ajie grabbed the strange fish with a cigarette in his mouth and hit it with the butt of his gun.

Lens down to foreground

A-Bian (well, the name of the black boss) was bandaging his fingers, with a string of Buddhist beads hanging on his arm. A-Bian turned back to look at Ajie in the distance and said: Amitabha, Amitabha, killing again, ouch, it hurts.

...

The general story is that the black boss is playing mahjong with the boat boss.

Two jokes were played during the chat. One was that the ship boss said to the black boss: "Brother Bian, you were Hallelujah last year, and you are Amitabha this year."

Boss Hei: "Last year I went to New York, and this year I moved to the Mainland. Naturally, I have to be blessed by the gods from all over the world!"

The boss of the ship: "You have to be single-minded in your feelings. If you believe in God and change your mind, God will be hurt. Look, you lost your finger again."

Black boss: "There are state-owned and national laws, and there are rules and regulations in the industry. Who is the boss? The CEO. If the market cannot be maintained, naturally the CEO will have to be dealt with."

It’s self-evident what the metaphor is mocking here.

Another joke is:

Boat boss: "Brother Bian, what is the largest lake in the world?"

Boss Hei: "The geography teacher died early and was forgotten a long time ago."

The boss of the ship: "Haha, of course I'm going to make a dragon by myself!"

(homophone)

The boss of the boat won all the money from Boss Hei and his younger brother, but it was not enough. Boss Hei naturally touched the money box under his feet, but he didn't touch it.

As if he was still alive, the captain of the ship said to the cook holding the knife: "Let's make a good meal and send Brother Bian off."

Boss Hei looked at the boat boss, then at the cook holding the knife, and then thought about what the boat boss said.

At this time, the boss of the boat said again: "Come on, come on, come on again, if you don't keep the money today, don't even think about getting off my boat."

So Boss Hei was convinced that the boss of the boat wanted to take advantage of him, so he found an excuse and got up to find Ajie who was fishing and told him about it.

The two men planned and attacked and killed the captain and his men, because the captain had more men.

Just after finishing the work, a younger brother came over with his pants held up and his stomach covered to ask what happened.

The gangster explained the cause and effect, and the younger brother took out the box and said, "Brother, you forgot, you gave it to me."

Then the next thing was almost the same as the original film.

As the land got closer and closer, the gangster received a text message on his mobile phone: "Our company is avenging someone, investigating..."

This pointed out the rampant local gangs, and the gangster began to be afraid.

Finally, the camera pulled away, and the earth appeared, rushing from China into a Thai hotel room and entering the next unit.

To be honest, the first stalk is very good, but this thing will definitely not pass the review.

The last text message is also that there is no underworld in the mainland, but without this text, the gangster can't leave a seed of doubt in the beginning.

This is a trade-off. It can only be changed to be delivered to the door in front of the Buddha, but this will seem a bit coincidental and abrupt, there is no way.

Yang Lingyue did not completely change the content of the original film, but just marked the places that are easy to get stuck.

Of course, the joke of "playing mahjong requires changing the wind" must be added.

"Ajie, you are so careless!" was changed to "Ajie, you are so rude, look at how you play."

The whole script, a total of 59 pages, is not too much.

But the front is very clear, and the back is just a simple dialogue and scene description.

For example, the second act describes the use of the lens in detail.

In front of the green screen or moving image, fix Geng Hao, the fan, and the machine in slow motion.

Straight shot from above: two bicycles ride one after another.

Subjective becomes objective (slightly lowered): approaching the finish line, banners. Audiences on both sides cheer, Geng Hao enters the picture, and Zhang Ting enters the picture.

........

Let me say here that Geng Hao is the common name of the protagonist in Ning Hao's movies. He is his childhood friend, not the "honest Ning Hao" as some people say.