Chapter 16 Is This Really Reasonable?

Good guy, it's the real wolf extermination. More than a little more ruthless than a ruthless person.

Dare to dig the grave of a mother and mentor in the name of preparing the righteous god, the HR of the light world, all the slave gods and false gods... She can even be regarded as the biological mother of the evil "worm" in this world.

No wonder Nigel said it was as if something had been sucked out of him.

Even if he exhausted his talents for this painting, Annan would not be surprised.

That is indeed "the wound of the world". But the wounds of the world are not rare in themselves, what is rare are the "pearls hidden in this flesh and blood".

Nigel thought that what he painted was the wound of the world, but what he actually painted was revealed in that wound... the former God of Chosen, the Sky Chariot!

It is rare to have personally identified and described the remains of the Sky Chariot Rider without dying or going mad.

The death of Tianche Yushou alone is undoubtedly a "creation" level of mysterious knowledge.

In other words, it is precisely because he is an ordinary person that he can barely remain immortal. Because the light of the sky cart is the "light of sublimation", the closer you are to the light world, the more you can feel the sacredness of the sky cart.

Nigel is not extraordinary, he is just an ordinary person. Nor does he know any mystical knowledge...

Perhaps because of this, he was able to observe the "Tianche Yushou" with his eyes.

He didn't even "see" the corpse with his eyes - he just used his intuition of "beauty" to forcibly reproduce the stunning scene in front of him.

Just his painting itself is extremely powerful.

The portrait that Yaweng painted for the old grandmother in the past, that is, the painting of Zhi Ji's body, is just the dragon roaring in the painting. In the hot summer, the windows of the whole street outside the painting will be instantly sealed by ice.

That painting can easily attract cold snaps and blizzards... and the painting drawn by Nigel also has one percent power.

As long as the curtain on this painting is lifted, the room will become very hot, something will start to ignite spontaneously, and the mirror will no longer be able to reflect the object, but will continue to emit a scorching light...

As we all know, there is a mirror in the eyeball itself.

In other words... mortal eyes may not be able to see this painting clearly. It even blinds the eyes of those looking at the painting.

This is already the category of magic painting.

But its power is obviously much better than directly peeking at "Death of the Sky Che Yushou".

This is a kind of filter, a kind of... pseudo-canonical.

It's as if he knew from the very beginning that he must never spy on Tianche Yushou. And specially invited Nigel, who is "not a supernatural person, and does not understand mysterious knowledge", but happens to have an "intuition of beauty" and can observe and repaint the remains of Tianche Yushou without the naked eye.

In this world, I am afraid that only he can do this.

...but what are they planning to do?

——This is really, big news that has never been imagined.

Annan took a deep breath, and his whole body became energetic.

He originally thought that this was probably at most a problem of the level of "Icebreaker Remnants", "Artificial Frost Beast Experiment", and "Self-made Curse Vault".

Never expected that this stick could be pulled on Tianche Yushou and Worm.

The inner side of the world—this is not a fanciful description.

It is the third layer of history, that is, the "history going deeper", the history about the "secret" itself. It's as if mysterious knowledge has been sacrificed... Those histories that store "buried mysteries" are the third layer of history.

Those who live in the first layer of history will never be able to observe the third layer of history. Just like if there is no light, people cannot see things; in the third layer of history, there is no "light" that can make people recognize.

Only gods who are related to secrets, secrets, and darkness can use the power of truth to search directly in the third layer of history.

Entering the third layer of history is like "data that has been deleted". However, deleted data can also be retrieved through special means.

If it is just thrown into the third layer of history,

It may also be reappeared in the world by the special rituals of "Mysterious Lady" and "Silent Lady"...

However, if it is "stitched to the inside of the world", it is like being excluded from the inside. Even if the gods use special rituals, they cannot find this target.

——But just like the cards that are excluded from the inside, it is still possible to be recycled.

If she is sewn inside the world in this way, there is still a way to get her back.

The moment she enters the world, all information belonging to her in this world will disappear at the same time.

It's as if after sacrificing mysterious knowledge, the brain will forget it.

If someone is sacrificed, [World] will forget him.

And if the fate comes, and without any information, the world will be torn apart directly—if that area happens to be where she was "sewn inside the world", then she can be dug out again.

"So it turns out that Tianche Yushou died in the 'Furnace Mountain'..."

Annan muttered to himself.

But……

Where did Count Felix and Raffaello Santi get this information from?

Tianche Yushou doesn't even have her name anymore, so other gods probably don't know where she is buried except Ms. Silence.

It can't be a coincidence, right?

The skill that can tear apart the world itself is a very high-level ritual.

It is about the same level of difficulty as the tragedy writer's high-ranking ceremony "Sleeping Beauty", or the high-ranking ceremony "Dragon's Purification Fire" with Suifu. As long as a slight mistake is made, the gods may be disgusted or even hostile.

Not to mention, the large amount of mantra materials required for this ceremony.

And there is also the vertical passage dug by hand...

Construction around an active volcano is very difficult. If you use too rough means - such as explosives, there is a possibility of accidents.

Spend a lot of money, time and labor to dig a tunnel vertically. Then it stayed at a certain depth, unfolded a large-scale ceremony, and tore a hole in the world.

It happened to dig out the corpse of Tianche Yushou.

——It's almost like walking in the wilderness, digging into a clearing without warning, and then the oil just spews out.

In principle, it seems that it can only be explained by coincidence.

But it was such a coincidence. Coincidentally, Annan began to doubt the possibility of it.

Is this really reasonable?

They even knew that they could not peek at the remains of the Crane Rider, so they specially invited Nigel, who may be the only painter in the world who can depict the image of the Crane Rider.

Even Annan himself didn't know what consequences this would lead to. Still through Nigel's narration of his finished product, the possible influence of it can be inferred.

...In any case, Annan cannot just sit idly by.

They may not be Annan's enemies, but what kind of disaster will this move cause...

... In fact, Annan himself is not very clear.

Because the specific information of Tianche Yushou does not exist in this world at all.

Everyone can't remember, and all the classics can't record.

The real "man forgotten by the world".

Nigel would have no further information.

He himself doesn't know what he did...I'm afraid that even Tower Master Hugo won't know this secret.

Sir Silver is probably the only one who can answer Annan's doubts.

The only good news is that this question does not seem to be urgent... It will not directly disrupt Annan's prior arrangements and make him take the subway on the spot and then run back.

Annan frowned and sighed at the situation beyond his control.

I thought that after collecting all the mirrors, I can rest for a while...

...It turned out that I had to work overtime again.