The First Thousand One Hundred and Ninety Chapters Start the First Year

Although Lu Zhekai has always had the ambition to build animation and play in the past, he has been suffering from no suitable channels for a long time, and has never been able to realize his dream.

Although Lu Zhekai also tried to contact the large-scale animation publishing groups with advanced experience in Japan in the past, but due to the limited scale of the C station at that time, let alone those famous big companies, even those second- and third-rate companies did not think C Station is qualified to discuss cooperation with them.

Moreover, the scale of the domestic animation market in Japan at that time was quite mature, and the overall market size was second only to that of Europe and the United States. Many companies were making a fortune, and related companies did not have strong ambitions to develop foreign markets. At the same time, there are still many restrictions in the Chinese animation market, which makes many Japanese animation groups do not want to invest too much experience in developing overseas markets.

However, with the passage of time, the world animation pattern has gradually changed...

The golden age of the Japanese animation industry has gradually passed, and more advanced computer animation technology has replaced the outdated hand-painted technology, resulting in the first technological revolution and impact on Japan, the animation kingdom. Japanese young people who grew up in the golden age of Japanese animation have also changed from star chasers who are madly obsessed with two-dimensional culture to greasy middle-aged uncles. The intense pressure of life has led to the collapse of the value system of the two-dimensional industry. Profits fell further.

Japan's domestic economic situation has also begun to stagnate, with a continuous decline in population, sluggish GDP growth, intensified competition in the international market, increased external demand, and weak domestic demand. At the same time, technically more advanced European and American animation companies have also begun to further erode the domestic animation market in Japan.

Some of the young Japanese who have grown up have been snatched away by more sophisticated European and American animation companies. The Japanese animation industry has been marked with a sign of nostalgia. The animation industry for the elderly has further shrunk, and profits continue to decline.

Japan's major animation industry groups have also turned from profit to loss, and have closed down one after another, and a big reshuffle has begun.

Due to the further shrinking of Japan's animation industry, Japan's large animation industry groups have also begun to gradually improve the level of related technologies and focus on overseas markets. And China, the world's second largest economy, has also become one of the most suitable targets for most Japanese animation groups at the moment.

As one of the largest animation groups in Japan, NOK Company is of course also in transition. They are also eyeing the Chinese animation market, because compared with the European and American markets, China and Japan are both members of the Confucian cultural circle. Japanese culture Attached to the emergence of Chinese culture, many cultural values ​​of the two countries are relatively close, and it is relatively easy to develop.

In addition, China's domestic intellectual property protection for related animation has also been greatly improved, and many of NOK's animation products have also become profitable in China.

This also gave NOK a great confidence in further developing the Chinese market. Of course, due to the strict control of various animation publications and related derivative products in China, the major Japanese animation groups can only develop the Chinese animation market in a cooperative way.

At the same time, it has now resided in Station C, the largest two-dimensional website in China, and has become the target object of NOK Company.

In fact, when Station C was founded, although the main business was based on the two-dimensional industry, Lu Zhekai did not give up the idea of ​​building a Chinese animation industry group.

With his keen insight into the animation industry and his software technology strength in science and engineering, Lu Zhe has gradually built Station C into a new force in the two-dimensional industry... Excellent original content, enhanced user experience, and innovative technical support , all-round business cooperation, etc... The first and original innovative thinking has gradually increased the stickiness of users of Station C, and soon became the largest two-dimensional website in China.

This is why Lu Zhekai, who once came to seek cooperation, suddenly became the target of several Japanese animation industry groups... Lu Zhekai is of course happy to see this happen, because his original intention of establishing a website has not been realized.

It is impossible to be complacent right now.

Lu Zhekai knows that although the C station he created is now the leader of the domestic two-dimensional industry, this industry is only a derivative of the two-dimensional concept, which is a very embarrassing existence to be honest.

Lu Zhekai has no ability to turn this fragmented industrial model into a world-renowned animation product platform. Although the company has indeed grown significantly over the years, this is not what Lu Zhekai wants.

Lu Zhekai wants to create an animation group that can rival the animation industry of the United States and Japan. Let China's animation industry also rise in the forest of the world's animation culture and become one of the three giants of the world's animation industry.

Although Lu Zhekai is very ambitious, he also knows that ambition can only give him a goal, and it is very difficult to achieve this goal. The most troublesome thing is related industry experience. If no one guides you to get started with these things, and you want to explore by yourself, the time cost and money cost required are not affordable for the current scale of Station C.

Cooperation is the best way for Lu Zhekai to realize his dream at the moment, because many Japanese animation groups have great intentions with station C. Lu Zhekai, after many investigations, finally chose NOK, the largest animation industry group in Japan and the oldest qualified company, as his partner.

NOK company has a large number of mature animation works, and at the same time there are many masters of animation creation, so station C is the only choice to cooperate with it. The launch ceremony of the "Extreme 2D Animation Original Network" this time is a good start for the cooperation between the two parties, and it is also the first year of Lu Zhekai's animation dream.

Seeing the realization of his dream step by step, Lu Zhekai is also in a good mood, which makes him smile to every guest present... It makes people realize that today's President Lu is in a surprisingly good mood.

Gu Jinghui, the head of Station C, as the company's No. 2 person, is also an important receptionist, and he is also busy walking around.

After chatting with an industry colleague, Gu Jinghui came to Lu Zhekai's side and said, "Mr. Lu! NOK's vice president Oda hasn't come yet! Do you need me to call and ask?"

Lu Zhekai said: "No! It's not yet time! It's rude to keep calling! And Vice President Chao has been waiting for President Oda at the hotel! I believe it won't be late. By the way, the major media reporters are here. How much?"

Gu Jinghui nodded and said, "There have been quite a few! You are right, as long as we release the news that Master Hashimoto Ryuji is coming! Those reporters must be like fish smelling fishy, ​​and they will suddenly They're all around."

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